Showing posts with label Interiors. Show all posts
Showing posts with label Interiors. Show all posts

Filoli dining room

This short post is in honor of the lovely Janet for whom I took the above photo. The dining room at Filoli is beautiful but relatively unremarkable. However, this embroidered screen done by the tuesday stitchers group of the Assistance League of San Mateo County is really breathtaking. Depicting the house and gardens as well as a crop of outbuildings, I took this picture expressly for Janet. It really captures the heart of the estate. The embroidery replaces an old french tapestry from the screen which hid access to the dining room from the butler's pantry.The room is paneled in oak and contains many pieces original to the house such as the Bourn's dining table. The painting over the bolection style fireplace is one of the treasures of the collection and is a still life by Jan Weenix.Whats a post on the dining room without some information on the kitchens? Pictured above and below is the incredibly spacious butler's pantry with 17' tall ceilings. This is larger than most city apartments and it's not even the kitchen, folks!As in most other rooms of the house, fresh flowers are introduced, connecting the indoors to the gardens. I really loved these pretty purple flowers in the green ceramic vase. You can never go wrong with white subway tile: clean and timeless, then and now. Have a great weekend!

Filoli: part 1

The greatest surprise of my trip to California was my visit to breath-taking Filoli. While renowned for its' appearances on screen (most notably the movie 'Heaven can wait' and the Dynasty series) and gardens, I was most taken with the house itself.Filoli was built as a country estate 25 miles south of San Francisco between 1915 and 1917 for William Bowers Bourn II and his wife Agnes Moody. Designed by Willis Polk in a Neo-Georgian style, the house normally fades discretely into the background for most guests, shown up by its' spectacular gardens.However, in a lot of ways, this is the perfect house in my mind: Elegant with a nice rational flow, generously sized rooms which are not too large, open to the beautiful outdoors and most important of all, comfortable to be in. It's a large mansion that feels like a home. The house doesn't bowl you over with showiness but rather impresses you with intelligence and simplicity.You can see the floorplan of the first floor HERE. I'll share some of the house and gardens in the next few posts as there is much to see. Trust me when I say the house deserves a visit in person and I'm only showing a tiny fraction of its charms!

We begin in the reception room, just inside the house from the small entry hall. Probably the most formal room in the house, special details such as this overdoor below would impress any guest who made the trek from the city. Only a few of the furnishings are original to the Bourns, such as the tapestry above the fireplace. Others were part of the Roths' collection (the 2nd and last private owners of the estate who gifted it in 1975 to the National Trust) but primariliy the furnishings you see were only put into place 10 years ago by a very generous collector, Melvin Martin; Previously the house was shown nearly bare.
2 barrel vaulted hallways move off of the central reception room which are wide enough to be partially furnished. The tall ceilings throughout the house help to naturally cool the space, as do the 4 feet thick exterior walls.
The most disappointing part of the visit is that guests are not allowed to see the upstairs! Wouldn't you love to walk up this staircase? I couldn't get enough.
More interiors later this week, but I thought I would share the back which opens up to the italianate gardens. The house forms a U in plan with the entry centered on the heavily planted courtyard.
If I were to build my dream house, it would be very similar to Filoli, albeit on a less grand scale! I love the elegant Georgian simplicity and rational with a touch of California breeziness. Look for more interiors here soon!

National Cathedral

One of the grandest monuments in DC which dominates the skyline is the National Cathedral, also known as the Cathedral Church of St Peter and St Paul (Episcopalian). As the 2nd largest church in the United States and 6th in the world, that comes as no surprise. It also holds the record as the highest point in DC, a fact that's easy to believe when you stand on the 7th floor observation deck surveying the entire city!The idea was rooted in Pierre L'Enfant's 1791 plan of DC for the need of a church of national significance. It wasn't until 1907 that construction began (with President Theodore Roosevelt presiding the foundation laying ceremony) and the Cathedral was officially 'finished' in 1990 with President George H W Bush in attendance. It has indeed been of national importance as it has been host to numerous state funerals and memorial services.The original architect was Frederick Bodley, a well-known English architect, who was replaced upon his death after WWI with Philip Hubert Frohman - who developed and expanded upon the original plans. Much like it's predecessors, the great European middle age cathedrals, the style is primarily gothic. However, the difference lies in the fact that while the churches in Europe were built over centuries (explaining their varied styles throughout the buildings), the national cathedral was purposefully built as a 'hodgepodge' to appear like the precedents: So a 'fake' evolved style if you will. It makes it all the more interesting!What I love most about the building though is that while it is rooted in the gothic cathedral tradition, there is a lot of our modern world at play. Many of the stained glass windows and sculptures depict our modern age: robots, space travel and even Darth Vader!The National Cathedral is, to me, an Opera of a building. By that I mean it combines all the arts into one package: secular and religious, modern and antique, embroidery, stained glass, architecture, sculpture, gardens, painting. You name it, they have it. Not to mention the views of the city!

Now for some of the delicious details. The one side transept (I forget which and both are different) has this beautiful blue ceiling. I love the juxtoposition of patterns! In the pictures above, you almost sense the scale of the space, ENORMOUS. I love the groin vaulting in the ceiling and the way the stained glass adds so much color to the Indiana Limestone interior.Like all good gothic cathedrals, here are the flying buttresses behind the rear chapel.I loved the adjoining buildings of the cathedral school - like an old English country manor!
The basement level is of course a bit gloomy, but full of as many details and workmanship as the rest of the cathedral. I loved this view looking up the stairs into the main church.
In this capital on the outside, you see a bit of the modern 'edge' - a robot amongst the figures!As our national cathedral, much of our countries history is depicted. This statue of Abraham Lincoln rests in the front of the nave.Above one of the interior front doors is Eleanor Roosevelt among some others who are celebrated for their good work.I loved this modern iron gate down in the basement. The handle is a large iron hummingbird.The craftsmanship of everything in the building is breathtaking. Even this simple handrail is so elegant. Thousands of hand embroidered cushions fill the space -each one amazing in its' own right. This one fits with the space travel themed stained glass windows.
Now you can't say "They don't build them like they used to"; 'They' still do - occasionally!
All photos taken during my visit last weekend, May 15th, 2010.

Glass hood

Did you notice this glass hood from the May 2010 issue of the World of Interiors? Obviously architect designed (why ARE we architects obsessed with straight lines?), Lina Bo Bardi created the hood for her kitchen in Sao Paulo, Brazil, The Glass House. While not sure it's the MOST practical, I really love it. Just keep a supply of windex handy! What do you think? Could you do the glass box hood in your kitchen?
Photograph by Matthieu Salvaing