What do Athens, Pittsburgh and Sydney all have in common? No, this is not a trick question! Each has a Choragic Monument of Lysicrates.
The original monument was built near the Acropolis around 334 BC to commemorate the benefactor Lysicrate's sponsorship of dance. It was one of the first recorded uses of the correct Corinthian order for a monument; a style which would be copied for centuries to follow. Above is the original.
I first became aware of the monument while back in college at drawing classes which were occasionally held at the Carnegie Museum of Art. The 'Hall of Architecture' , pictured above, was recently featured in a spread in the World of Interiors magazine (March 2010) with beautiful photographs by Simon Upton. The charcoal sketch at the top of the posting is one of the many I drew of the monument, my favorite in the room. I wish I had photographed all of my drawings better!
The design has been copied and modified over the years after being restored following the Greek war of Independence when it was badly damaged. Often it appears as a folly in a garden, at other times atop a dome and has even been stretched into a lighthouse in Portland, Maine. 
Next time you see this classic design, you hopefully will remember its long history. Also make sure to check out the March 2010 issue of WOI for the charming article on the hall of architecture at the Carnegie Museum in Pittsburgh!
This short post is in honor of the lovely 
Depicting the house and gardens as well as a crop of outbuildings, I took this picture expressly for Janet. It really captures the heart of the estate. The embroidery replaces an old french tapestry from the screen which hid access to the dining room from the butler's pantry.
The room is paneled in oak and contains many pieces original to the house such as the Bourn's dining table. The painting over the bolection style fireplace is one of the treasures of the collection and is a still life by 
Whats a post on the dining room without some information on the kitchens? Pictured above and below is the incredibly spacious butler's pantry with 17' tall ceilings. This is larger than most city apartments and it's not even the kitchen, folks!
As in most other rooms of the house, fresh flowers are introduced, connecting the indoors to the gardens. I really loved these pretty purple flowers in the green ceramic vase. You can never go wrong with white subway tile: clean and timeless, then and now.
The ballroom at Filoli was one which I instantly recognized, do you? It's the home gym of Warren Beatty in Heaven Can Wait! The space was restored for the movie along with other parts of the house and impresses everyone who enters it, as it should!
The flowers, seen best in the picture at top, were probably the most beautiful in the house. Not an easy feat as each room has a gorgeous bouquet fresh from the garden. The mixture of bright colors in the pale green room with gilded accents was really striking. Forget the Bagues chandeliers modeled on the ones from the 
The murals are the core of the room. They were completed in 1921 by 
Filoli was built as a country estate 25 miles south of San Francisco between 1915 and 1917 for William Bowers Bourn II and his wife Agnes Moody. Designed by Willis Polk in a Neo-Georgian style, the house normally fades discretely into the background for most guests, shown up by its' spectacular gardens.
However, in a lot of ways, this is the perfect house in my mind: Elegant with a nice rational flow, generously sized rooms which are not too large, open to the beautiful outdoors and most important of all, comfortable to be in. It's a large mansion that feels like a home. The house doesn't bowl you over with showiness but rather impresses you with intelligence and simplicity.
You can see the floorplan of the first floor 
Only a few of the furnishings are original to the Bourns, such as the tapestry above the fireplace. Others were part of the Roths' collection (the 2nd and last private owners of the estate who gifted it in 1975 to the 
2 barrel vaulted hallways move off of the central reception room which are wide enough to be partially furnished. The tall ceilings throughout the house help to naturally cool the space, as do the 4 feet thick exterior walls.
The most disappointing part of the visit is that guests are not allowed to see the upstairs! Wouldn't you love to walk up this staircase? I couldn't get enough.
First off, I want to thank all of you who were kind enough to email and comment with places to see and things to do while on the West Coast. I now have a full and exciting itinerary! I'm busy packing and wrapping things up before my trip, but I wanted to share a few pictures I took of the charming Irish Catholic church here in Downtown DC, 
One of the grandest monuments in DC which dominates the skyline is the 
The idea was rooted in Pierre L'Enfant's 1791 plan of DC for the need of a church of national significance. It wasn't until 1907 that construction began (with President Theodore Roosevelt presiding the foundation laying ceremony) and the Cathedral was officially 'finished' in 1990 with President George H W Bush in attendance. It has indeed been of national importance as it has been host to numerous state funerals and memorial services.
The original architect was Frederick Bodley, a well-known English architect, who was replaced upon his death after WWI with Philip Hubert Frohman - who developed and expanded upon the original plans. Much like it's predecessors, the great European middle age cathedrals, the style is primarily gothic. However, the difference lies in the fact that while the churches in Europe were built over centuries (explaining their varied styles throughout the buildings), the national cathedral was purposefully built as a 'hodgepodge' to appear like the precedents: So a 'fake' evolved style if you will. It makes it all the more interesting!
What I love most about the building though is that while it is rooted in the gothic cathedral tradition, there is a lot of our modern world at play. Many of the stained glass windows and sculptures depict our modern age: robots, space travel and even Darth Vader!
The National Cathedral is, to me, an Opera of a building. By that I mean it combines all the arts into one package: secular and religious, modern and antique, embroidery, stained glass, architecture, sculpture, gardens, painting. You name it, they have it. Not to mention the views of the city!
Now for some of the delicious details. The one side transept (I forget which and both are different) has this beautiful blue ceiling. I love the juxtoposition of patterns! In the pictures above, you almost sense the scale of the space, ENORMOUS. I love the groin vaulting in the ceiling and the way the stained glass adds so much color to the Indiana Limestone interior.
Like all good gothic cathedrals, here are the flying buttresses behind the rear chapel.
I loved the adjoining buildings of the cathedral school - like an old English country manor!
The basement level is of course a bit gloomy, but full of as many details and workmanship as the rest of the cathedral. I loved this view looking up the stairs into the main church.
In this capital on the outside, you see a bit of the modern 'edge' - a robot amongst the figures!
As our national cathedral, much of our countries history is depicted. This statue of Abraham Lincoln rests in the front of the nave.
Above one of the interior front doors is Eleanor Roosevelt among some others who are celebrated for their good work.
I loved this modern iron gate down in the basement. The handle is a large iron hummingbird.
The craftsmanship of everything in the building is breathtaking. Even this simple handrail is so elegant. 
Thousands of hand embroidered cushions fill the space -each one amazing in its' own right. This one fits with the space travel themed stained glass windows.
